Accidents of Influence: Writing As a Woman and a Jew in by Norma Rosen

By Norma Rosen

For Norma Rosen, the Holocaust is the valuable occasion of the 20th century. during this booklet, she examines the connection of post-Holocaust writers to their paintings when it comes to topic, language, imagery, and dealing with as much as the duty of writing in a post-Holocaust period. She considers the paintings of such significant affects on our time as T. S. Eliot, Simone Weil, Anne Frank, E. L. Doctorow, Norman Mailer, Eugenio Montale, Philip Roth, and Saul Bellow. injuries of impact combines severe research with own reaction and autobiographical moments. It comprises quotidian encounters in friendship, intercourse, society, paintings, politics, reaction to violence, and spiritual observance, which fight for ethical flooring during this post-Holocaust period.

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Extra resources for Accidents of Influence: Writing As a Woman and a Jew in America (SUNY Series in Modern Jewish Literature and Culture) (Suny Series, Modern Jewish Literature & Culture)

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Or is it the worm that creeps into the soul and corrupts all doctrine?  Ostensibly this was done in sympathy with the deprived French workers, but whatever the real reason, certainly it was out of deep division *Simone Weil, a Life, Pantheon, 1978.  Her frail and brilliant life holds all the keys to the great moral question confronted here.  Having fled with her parents to America to escape the oncoming Nazis, she contrived to get back to England where she wrote and planned with her friends for the resistance of the Free French Forces, contracted tuberculosis and died of starvation caused by her efforts to limit her nourishment to something less than what a French worker would eat during the German occupation.

Powers, the black about­to­be writer upon Ralph Ellison or Zora Neale Hurston; can see what those efforts of imagination and sympathy could offer by way of take­your­ breath­away, experience­opening influence that show where one's own writing in America might tend.  We who are accustomed to think "prayer for the dead" should remind ourselves of the contents of that prayer: nothing but praise for the redemptive powers of God.  Who could duplicate such idiosyncratic intensity?  Though he reaches easily and well for the comic touch, he has shown that it is possible even in a long career, and in a context largely of satirical American writing, never to fire off in a single story a cheap or reductive shot at Jews.

Her frail and brilliant life holds all the keys to the great moral question confronted here.  Having fled with her parents to America to escape the oncoming Nazis, she contrived to get back to England where she wrote and planned with her friends for the resistance of the Free French Forces, contracted tuberculosis and died of starvation caused by her efforts to limit her nourishment to something less than what a French worker would eat during the German occupation. " Indeed, the fleshing out of the life, though done with continued reverence by the biographer, gives us deeply disturbing vignettes—so many that only a few can be referred to here.

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